As usual, Kubrick planned to score much of the film with existing music, including piano pieces by Ligeti and Liszt, a Shostakovich waltz and the Chris Isaak song “Baby Did a Bad Bad Thing.” (Ligeti’s “Musica Ricercata 2” is the dramatic solo-piano piece that recurs at several key points in the film.) Off and on for the next year and a half, the two talked (“It was very much a phone relationship,” Pook says, even though the two lived in the London area) and the composer supplied demos for various moments in the film. It was a very lively, enjoyable exchange.” Kubrick immediately put her to work on the masked-ball and orgy scenes. ![]() Chauffeured to a meeting with the famous filmmaker, she found him “really warm and really enthusiastic,” Pook recalls in a recent interview in Los Angeles. ![]() The next day, another car arrived, this time for Pook. Two hours later, a car came for the cassette. ![]() Within hours after hearing the track, Kubrick called Pook directly, asking for more of her music on tape. In July 1997, a choreographer rehearsing movements for the masked-ball sequence for “Eyes Wide Shut” happened to play a track from Pook’s 1994 album, “Deluge.” It was a dramatic work for strings and percussion with the strangely compelling overdub of chanting Romanian priests, the latter played in reverse.
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